The other day I was browsing through the writing section in
my local library and I pulled a couple of books down from the shelf. I wrote about the Secret Miracle in my last post. This post I’d like to share some information
I gleaned from The Lie That Tells a
Truth by John Dufresne. In fact,
it’s going to take more than one post to share his words of wisdom to the
aspiring writer.
The Lie That Tells
a Truth was written in 2003. You
might question its relevance for today’s writer but I found it to be very
educational and well written. For many
of you this material may be well known and part of your extensive
experience. But for me, it really hit
home. I’d heard some of it before, of
course, but the way it was written just resonated with me. And I want to share some of it with you.
Writer’s Block
The first thing Mr. Dufresne shares with us are that if we
didn’t write today it’s because we didn’t want to, didn’t have the perseverance
or the courage. One of those three, or
maybe more. Lacked the will or the
passion. He questions whether we really
enjoy it enough because we always find time to do the things we love. His opinion is that writers don’t suffer from
writer’s block. It’s an excuse to get
out of dealing with a problem in your story that you can’t solve. He mentions that secretaries don’t get
secretary block. (Come on, it’s
funny). His point is, work through it.
Asking the right
questions
Another point that John Dufresne makes in his book is that
fiction isn’t the quadratic equation; we’re not solving a problem. His stance is that we’re creating
problems. And the answers we get for
solving these problems we create is based on the questions we ask. Logic isn’t required, let loose and trust
your feelings, intuition, etc. Logic
comes later, after the story has been created.
You use the logic to see if your story makes sense, but after you create
it.
The 10 Commandments
of writing
Now, I don’t know where he got these. I assume that he’s not the originator but
here’s what he shared as the 10 commandments of writing:
1.
Sit your
Ass in the Chair.
2.
Thou shalt not bore the reader.
3.
Remember to keep holy your writing time.
4.
Honor the lives of your characters.
5.
Thou shalt not be obscure.
6.
Thou shalt show and not tell.
7.
Thou shalt steal.
8.
Thou shalt rewrite and rewrite again. And again.
9.
Thou shalt confront the human condition.
10.
Be sure that every death in a story means
something.
Writing stories
I love these next few lines in the book, so I am copying
them verbatim (all credit to the author John Dufresne). Hopefully, all of you skilled English majors
who recognize that I have no idea how to properly credit a source are satisfied
that it’s obvious that I’m not taking credit for this post and are giving me a
break.
“Stories and novels don’t get written. They get rewritten. All matters of consequence in fiction are
addressed in revisions.”
I knew this right? I
mean, every author says his or her first draft was crap. But you don’t really want to believe that
YOUR first draft will be crap. His point
is that the first draft is for free-flowing creativity and that the hard work
comes in the revisions. Dufresne’s
commentary about the ‘author’ is that he makes mistakes and expects his first
draft not to be crap. He undermines his
effort by holding unrealistic expectations of himself. (This is where I really begin to
relate). The author becomes discouraged
when the characters on the page don’t match what’s in his head. I like this quote too, “What had seemed like
an exciting and noble undertaking now seems foolish and impossible.” Can I get an AMEN here? AMEN.
So, just in case I didn’t get the message, he actually
spells out the lesson for me. “Do not
write beyond what the first draft is meant to accomplish.” Explore the world, the story, and get to know
the characters. Make sure you’re asking
the right questions. Watch your
characters in your mind and see what they do.
In the next post, I’ll continue sharing snippets of John
Dufresne’s book, The Lie That Tells a
Truth. It really was a very good
book and he had tons of “exercises” for the writer to do as well.
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